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M.T. Wilkens is happy to be here with you. He lives in San
Francisco, where he is avid.
"The Wind And My Sofa"
it's weird when you listen to the wind, when you sit and
think of things to say.
my mouth is made of pillow, my sofa lies, my eyes fleece
blankets in disguise.
I only wish envelopes were often opened by friendly men
with tennis wrists and big fat teeth
who would smile and say, "damn that weatherman shoulda
mentioned the mountains, eh?"
I’d like to borrow more objects and refuse they exist,
especially everything most important to you. these
treasures I seek to stare at dazedly while most confused by my presence
in the anteroom of your true fortune.
does the guy who washes windows think of reflections? I
bet he wears casual clothes out at night and enjoys sculpting.
it's weird when you listen to the wind because most of
the time he doesn’t make much of a sudden such.
he only likes to touch.
still my sofa sleeps and dreams of someday swimming.
because to live always earthbound requires quiet calm
patience and an inquiring mind. a picture of a castle you once
were Christian in helps as well.
there can be no mistake - everything in the dictionary is
false, there is no such thing as mystery or mere fantasy, art is
forevermore and god is fun and nothing is something when you look
away from it not the absence of something.
see, seeing it creates the thing, said the wind.
but who gives a shit, said my sofa, sarcastic. © m.t.w. 2003
"Puzzle Meant"
I am puzzled recently by signs I see of reparation
promises and liquor license, a marquee that reads TONIGHT: FUCK ME,
a billboard all black, large and luminously lit, the yellow letter
Y centered on it as if asking.
perhaps there are things I should have meant, made up,
yet maybe there still is time - destiny is like the doorknob that
so often shocks a bit after you've shuffled across the eversame
carpet.
I wish my pajamas would talk to me, tell me I'm a fool
for listening to laughter, laughing at gas, gloating - no, I don't.
for where would I be without noise and then silence:
unused to variation, worshipping gregarity and rain?
a thin man once told me to stop my insolence and behave.
"music is sham, forget it all live," he lied - I lied beneath him
looking up, stars glittered behind his head like a mighty night crown.
I felt humble but then it was just a dream.
walking toward the milkshake place something makes me
think of children, how they never share candy. a woman with easy
eyes approaches and smiles sly. she has a tattoo of a puzzle piece on
her shoulder and I wonder what it means. ©
2003 m.t.w.
"Disasterpiece"
Her soft eyelids flutter then close. The scientist
scrutinizes a shower of silver moondust floating through the air.
Her hair spills shadowblack like the vinyl records shattered on the
floor, scattered shards of accumulated sadness, broken bits of other
lovers' dreams. He is unable to elucidate the sensation he feels; he
trembles. His mouth is pursed into a pucker, his jaw tight, tension
in his temples. "The future of artistry," he believed, earlier, "is
to destroy a beautiful thing in order to create it." She thought the
only way to destroy something was to destroy it, and the only way to
create something was to believe it could be destroyed, to know that
it was impermanent.
This was how they spent an evening together,
threatening each other in coded phrase. This was how they seethed in
their supreme leisure, how they drank merlot till they were
sweating, how they threw things and screamed, cursed till they
mumbled, fucked till they fell apart, angered and spent.
In the
stillness of 4 a.m., her body heaves. The scientist does not want to
think about art any longer; he only wants to be a different man for
a day. He wonders if she dreams of this man, and he smiles. © m.t.w. 2004
"Once Was Words"
there once was words where upon time said there is no
time.
where once was words there upon time said where are
you. © 2003 m.t.w.
"The Afterlife"
Sit there. Every day. Sit there, and stare, and sit.
There. There is nowhere else to sit, so you sit there. Every
day.
You work. Work there. Every day, you work.
There. There is where you work. There is nowhere else to work, so
you work there. Every day.
Think of it. It. What is it? Think. It is nice. You want
it, but why? Because it is nice. Why is it nice? Because
you think of it, and because you want it. You think of it, every
day, and you want it.
Home is here. Here is where you sleep.
Here, at home. You do not work here. You sleep here. You like it
here because you are not there. And you like it here because you
sleep here, at home.
I see you. I say hello. You say hello. We
say how are you to each other. Fine, we say. We love each other, but
we do not say so. We are the same. We have always been the
same, and we always say hello and how are you. Then we say
goodbye. © m.t.w. 2004
"Danger Cat"
Danger Cat was a mouse, which didn’t make sense too much
to some, but them typa folk’re dumb, and who really gives a
poop about them anyway.
it was his name, and he was rad.
he was about yay tall, gray, and he ripped shit
up on the gittar anymutherfuckin day
that’s right.
he put out an album with beats that made people say
uh.
It was called The Shit.
once, Danger Cat ate fifty hotdogs in a day. with
bun. no one could believe it.
he lived in a nice place; his roommates were chill.
he slept in a pillow case that was inside another pillow
case.
his favorite word was bliss. he said he liked it best
because it sounded like what it meant.
Danger Cat loved a special lady, too, and she kept his
heart hidden in her smile. she was fly.
one day I asked Danger Cat, what is it all about?
he said, "this." © m.t.w.
2003
"Wrote a Poem Once"
I wrote a poem once in a place where it will never be
read.
I don't know why I did this.
I wrote a poem once about secrecy and doubt.
I wrote a poem once that was nothing more than
desire
pronounced this ire.
I wrote a poem once about the moon and the trees and
the moonlight in a forest and a stream and silence.
the poem was okay except it said too much.
there's nothing that makes sense, I wrote in a poem once,
as if it made sense.
I wrote a poem once about the three things I
will never understand.
I rode a poem once all the way home, then gave it to a
stranger who smoked a joint on my stoop.
he nodded, a kind man I never saw again.
I wrote a poem once because I was sitting
there shitting and I suddenly didn’t know when the last time I wrote
a poem was, and I grimaced.
I wrote a poem once, typing with the keypad of a
cellphone, bored in an airport.
no one knew it was poetry.
no one ever does.
I wrote a poem once about what difference does it
make if a poem is a poem is a poem and imagine that.
I wrote a poem once gargling: I stuck my tongue out
after spitting the mouthwash and the madness in the mirror dared
laugh, the laughter a poetic sound.
I wrote a poem twice and ruined it. © m.t.w. 2003
"Telepathy"
I think if aliens come the thing that will confuse them
most will probably be the alphabet.
the scripted strokes, the layout of letters on a
keyboard, the arbitrary order, the capital and lower case.
also, if they're robots, they probably won't like love
and dreams and other stuff that can’t be explained.
"o humans, we envy your spirits," they may say, and how
will we know if they mean our wines or gods or souls or what?
all this will happen with telepathy, though, so I guess
it doesn’t matter much. © m.t.w.
2002 |