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Maurice Oliver Maurice Oliver spent almost a decade working as a freelance photographer in Europe. Then, in 1995, he made a lifelong dream reality by traveling around the world for eight months, recording his experiences in a journal instead of photographs. And so began his desire to be a poet. His poetry has appeared in The Potomac Journal, Circle Magazine, Bullfight Review, Tryst3 Journal, The MAG, Eye-Shot, The Surface, One Forty Two Magazine, Word Riot, Retort Magazine (Australia), Taj Mahal Review (India), Stride Magazine (UK), & online at ink-mag.com, friggmagazine.com, dash30dash.com & tmpoetry.com. He lives in Portland, Oregon where he is a tutor. |
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in swagger anointed awesome pesto pinprick © Maurice Oliver "PROBABLY SOMETHING SHARP" SONNET Wearing wingtips like you mean "SPIN DOCTOR Vs. FOUND GUILTY" Blood wanted to be a nurse's uniform. © Maurice Oliver "WITH NIGHT GROWING LEGS"
First, everybody gets lost playing hide & seek. "A THIRD-EYE OF HINDSIGHT" --A calculated jab at life, wearing handcuffs.
"Dissembling The Assembling Night..." or it may begin as the curve in a bow tie sky mostly infected with brown teeth or in a ripple of grass along the ridge in a coyote or some stitched lesion of thick lower lip and a double chin with wind blowing the curtains of Oregon did rain in blossoms up and down emerald valleys with heavy seeds of cones hanging from the petting zoo or maybe with the singular intention of showing that the reincarnation of the sometimes here sometimes there has existed all along in a police protection program of tight toast on savory tangerine screaming like a male hummingbird until it unlocks its vivid voodoo of sunset couplets with a little post-jungle trot completely absorbed in itself while I sit sipping a warm mug of chocolate as if I were a face from a crowd scene of a Rembrandt painting all purple haze halter-top canvas and parakeets in a room with a floor to ceiling window that looks out on the bundle of a new frontier trying half-heartedly not to nod off in the soft spotted wings of my high-backed butterfly chair. © Maurice Oliver "A Stiff Robotic Self, Impeccably Designed" In Act Two the playwright skillfully warps the details of life until:-An abyss starts a travel agency specializing in tours of mini-parasites. -Silence takes a heavy crowbar to a rare set of antique porcelain. -The kitchen sink lay sleepless for the 4th night in a row. -A bare pygmy shrub scratches its head then barks like a dog. -A universe of cardinal sins are smeared on a museum display case. -Peace at a distance begins a journal then turns at the jetty's end. -A late-model ayatollah becomes a vehicle for polka-dot aliens. -Lush Picasso-ville purchases the Cubist in us with a $200 rebate. -A movie about the world is aired where everything happens in reverse. -Even the existential fog eventually ends up as breathless valley voices. © Maurice Oliver "So Like You.Ever Predictable.Angel-Butch." Just remember,no one ever considered the power of change to be great enough to become twin towers with a preference for redheads. Or that the story would be so predictable it would float. Or that the by-line of diplomacy would speak with a lisp. That the forecast of bad memories would be dressed to kill or even held tight against a forever to come. Spilling out like a liquid necklace with the jewels ordinary cut glass. Or perhaps just the romantic passage of an assassin's bullet in the middle of a Caribbean cruise. Tangerine toast. Tar graves. Galoshes that have never felt water. Either way, we'll hold this fat ledger of the future up high enough in the air that the world can see its faults, or at least until the freight train passes or the shaman can return with a fistful of the scared calf's heart. © Maurice Oliver "Seems Perfect, Doesn't It?" It all begins when she offers her soul to the highest bidder.Well, young girls really, none any older than 19. Blush of skin. Scent of sandalwood. Full lips on the mouth of the earth. Or maybe it could turn out to be fresh flowers sent to a hotel room. A subway token that escapes into the nearby gutter. "From this angle I have a better view of giddy & uproarious", she says, after the first stiff of zero-sum imagining. "Yeah, and the bird flu in no two snow flakes are suppose to be alike, but tell me who'd take the time to check", I reply, with my umpteenth personal story waiting to be denounced... feathers crowded with crows... corn dense enough to broom stick. A tangle of children's bicycles. A stack of baseball trading cards. A book of pages dipped in the idealism of ash. Tracing the raw finger of a violet scar. Really? Is that the surprise ending? Funny, I thought even if the story runs out of dialog the sky would eventually darken and night become just another bedside table. © Maurice Oliver "Heavy Drapes.Empty Glasses.A Camera Panning." Or next time try an Italian hillside town layed-back in the Sunday morning of an earthquake ripple that has its faults or an ordinary constellation of spinal tap exhibition presently living under federal protection with a set of exquisite legs but too much sash idolized in a Raphael painting about cocktail leather holster or maybe even pleasing but my thoughts still sometimes wander to the anthropoid in rare Baroque poise braced in the jagged mirror of reflection allowing just enough time to see the mutate with albino eyes turn out to be the flashing lights of a guardrail at a train-crossing that would offer a much better cheap thrill actually and all you have to do is rub it first.© Maurice Oliver |